The King of Fighters XIII/Strategy

Controlling Space

One initial difference from Street Fighter is that in KOF it becomes possible to attack from more unique angles due to hops. Knowing which grounded and aerial normals can cover specific angles or areas is required knowledge to best deal with the opponent's approach or to judge which approach you should attempt.

Note: the hitboxes in this section are approximations and may not be exact. They primarily demonstrate their simplified 'feel' rather.

Ground Control

Here we see Terry standing at neutral which doesn't offer any spacing insight in and of itself, especially without context. By visualizing the spaces and angles readily controllable the player can gain greater insight into a stronger spacing game. Specific spacing strategies will vary depending on the distance between both players, so the following sections discuss defending against the common angles of approach from an oncoming hop or jump. Through understanding the general strengths and weaknesses associated with defending each zone, the player should therefore gain insight to each area's benefits and flaws when going on the offense.

These three colored areas represent common zones of approach and thus angles that the player should want to be able to recognize and act accordingly, whether on offense when deciding which jumping attack to use or on defense when determining to anti-air from the ground, air-to-air, run-under, or escape with a backdash or similar special movement. Notice how the boxes overlap as some approaches and attacks can occupy an intermediate place.

Let's analyze each individually:

Low Hop Space

Here we have the low 'hop space' designated in red. This low area can commonly be accessed from a short or hyper hop, although it's possible to space a jump to land and attack in this low space. Having quick access to this intimate, low-to-ground zone is part of what allows KOF to have a faster offensive game.

It's also a simple area to anti-air with a Standing as demonstrated by Terry and Kyo. A standing jab is quick and places a hitbox out in front of the hopping opponent's short trajectory, effectively hitting the opponent before they stick out their attack. Other attacks can dominate this area (such as a typical Far/Crouching , other heavy normals, or specials like Yuri's Saifa ( + ) ) but a Standing Light Punch is the quickest and safest universal solution to a hop. Be aware, that not every single hop will be anti-aired and some setups can cleanly beat anti-air attempts.

In short, anti-airing this close space often follows the same principles of anti-airing a typical dive kick in any fighting game.

High Hop Space

This angle is often difficult to defend against or anti-air. This makes it a hotly contested bit of space to approach from. Defending against an aerial attack with both strong vertical and horizontal reach is difficult. Terry lacks an appropriate attack that can attack diagonally forward from his current spacing and so a solution (besides blocking) revolves around changing the player's positioning.

• The player has a few options against similarly-angled attacks as K's Jumping but most require space to work with or a risk to deal with.
  • One possibility is to hop backwards before the attack comes into range and then countering the downward attack with a horizontal air-to-air. This doesn't work if the player is cornered or if the opponent is at a large frame advantage from a previous action.
  • A gutsy answer is to run forward underneath the oncoming attack and anti-airing with an upward vertical attack.
  • Likewise the player can run underneath the oncoming attack and time a Crouching attack to meaty the opponent while dodging the attack from behind. This can lead into a combo on success but can be countered if the opponent uses a deep vertical jumping attack or spaces the jumping attack from further out.
    • All of these techniques are demonstrated further below on this page.
      
  • The grounded player could use an invulnerable move or 'DP' through these tough jump-ins but reacting to a hop with a special is tough and requires the player to be buffering before the opponent hops. Terry is out of luck as his Rising Tackle requires a downward charge which limits the special's use outside of his wakeup.
  • Finally, the grounded player can respect the opponent's spacing and block the jumping attack. This is always the safest and easiest option.
    
    

Vertical Space

This blue area is the 'deep' or vertical angle where crossups can occur if the aerial attack registers deep enough behind the grounded player.

Vertical attacks offer one solution to these approaches. Terry's df. can anti-air Benimaru's more horizontal Jumping from underneath its active hitbox, but the more downward vertical jump-ins like Kula's Jumping are more difficult to deal with.

• Anti-airing attacks similar to Kula's J. as fast as possible will lead to a higher success rate. If the opponent starts to attack preemptively to beat out a standard anti-air, the grounded player can adjust by crouching under the early attack and punishing the whiffed jump-in with a tripguard meatying crouching . There's also the option of running under the opponent as a more extreme method of preemptively beating an air approach.
  

Some DPs (Terry's Rising Tackle is one example) or Crouching type uppercuts can whiff against an aerial player that travels deep into the crossup area (think of the space toward Terry's back). This positioning is easy to establish against a cornered player, especially after a knockdown. Landing this setup can effectively shut down all methods of escape for the player waking up.

• The grounded player can sometimes walk or run forward in this situation and attempt to anti-air the opponent from behind that jumping attack's line of fire. This is a risky method to escape from the opponent since the window of opportunity is limited to times when an air-to-ground isn't a meaty, such as if the opponent rehops. Know that this can backfire if mistimed or if the opponent attacks with a move that can easily cross up.
  

Another weakness to deep vertical jumping attacks is that they are cleanly beaten by air-to-air attacks.

• As usual, this requires one to have enough spacial and frame advantage to get into the air to intercept the opponent.
  

Be on the lookout if the opponent's spacing is off; if a vertical air-to-ground attack was spaced too short and whiffs, the a grounded player may be able to safely anti-air with a normal, sweep, or special poke.

Let's review and take a look at all three areas again and then at all of Terry's stationary attack options:

With all of Terry's main grounded attack hitboxes listed at once you can see that he lacks an attack that reaches both vertically and horizontally to control the space between the deep vertical and low hop spaces. Thankfully characters have other techniques to anti-air from the ground, which are listed below.

Tripguard Anti-airs

When a player commits to a jump or hop there's a recovery period when landing on the ground where the player cannot block low attacks. The grounded player can take advantage of this and attack with a low-hitting move such as a Crouching or attack to punish the opponent.

In the above picture Duo Lon is meatying Athena's early-timed Jumping attack. A downward attack like hers is a strong air-to-ground attack when spaced close in toward the grounded opponent, but notice in this situation Athena's attack ran out of active frames and is coming down on the outstretched active hitbox of Duo Lon's Crouching . Had Athena been closer or used a more vertically downward-hitting jumping attack then Duo Lon's anti-air could have been heavily punished.

Tripguard meaties are great punishes against whiffed or crouchable jumping attacks but will outright lose to a proper 'deep' downward jumping attack.

In the above setting Kyo's vertical Jumping would hit Elizabeth out of her Crouching long before Kyo would land on the ground. Like most deep vertical air-to-ground attacks, Kyo's Jumping can hit most low attacks before touching down on the ground and becoming vulnerable. Despite this, it's still possible for a vertical jump-in to be performed too early in a hop or whiff due to spacing, which then leaves the landing player open to a tripguard punish.

This spacing demonstrates two extremes: Andy's amazing Crouching that is possibly the best (tripguard) anti-air in the game, and Kensou's Jumping which is an extremely upward and horizontal air-to-air attack, but a horribly unsafe jump-in.

Run-Unders

Most air-to-ground attacks have a blind spot directly underneath the character that can be exploited with attacks that reach vertically upward like Yuri's Close . If the player runs forward and can get either under or behind the opponent then the anti-air should be successful. Even a steep downward jumping attacks can be countered if the running player can get to the opponent before their attack can become active.


This technique can be applied not just to full jumps, but also to hops. Iori's Close is quick and has a great hitbox for anti-airing, though the player often has to run toward to opponent to quickly get inside the range where his Standing registers as a Close normal. Running underneath a hop requires the grounded player to be closer up to the opponent, and when running very deep this can lead into a tripguard anti-air:


Run-unders can be combined with tripguard anti-airs. With a proper read, the grounded player can run all the way behind the opponent's active jumping hitbox and meaty from behind to start a combo. In the above scene, the Iori player counters Shen's buff Jumping Blowback Attack by moving underneath it. This technique can be very rewarding when landed but arranging for a setup requires spacial awareness and knowledge of the opponent's aerial options in order to make an educated guess about which jump-in the opponent will use. Overall, a very high risk, high reward anti-air method.

Air Control

Aerial attack angles can also be categorized as on the ground. This time we'll look at Ash and a few others.

Aerial attacks primarily fall somewhere between these general outlines.

• On top is the yellow box representing the high vertical angle.
• Below is the more pure horizontal space in blue.
• The red zone enters the vertical, downward zone but still maintains extra horizontal range.
• At the bottom is the green more vertical attack zone.
  
  

High Horizontal Attacks

Clark's Jumping really reaches upward into that high vertical space that can air-to-air opponents above him excellently. His foot's also intermingling with the blue horizontal zone and so the attack can also air-to-air straight in front of him. Just like with Kensou's Jumping pictured above, attacks with high vertical dominance are easily beaten by tripguard anti-airs.

Horizontal Attacks

Ash's Jumping reaches primarily horizontally but slightly overlaps with the higher upward space. Attacks with this angle function best as air-to-air attacks against opponents in front of the player or slightly above or below. Downward, vertical jumping attacks will lose to these attacks unless the horizontal attack is stuffed during the startup or attacked from directly above.

The effectiveness of horizontal air-to-airs should speak for itself from the image of Vice and Ash.

• While strong air-to-airs, the vertical reach is weak. These attacks are incredibly vulnerable to tripguard anti-airs if the opponent crouches.
  
  

Vertical-Horizontal Attacks

Jumping attacks that fall into the red-colored area are a strong intermediate between the horizontal and the vertical. The angle of these attacks allows them to approach the opponent from the high hop space discussed above, meaning that their hitboxes are often suited for getting in on the opponent; when spaced to tip the grounded player these attacks hit deep enough to force crouchers to standblock while having the extended width that places the character's vulnerable hitbox far out of reach. Other moves like Benimaru's Jumping can additionally cross up the opponent when deep.

• One weakness of these jumping attacks is that they can be vulnerable to tripguard anti-airs if timed early. Timing the attack later creates a longer window for the grounded player to anti-air with a normal attack.
  
  

Jumping attacks that fall into the red and blue zones (or in other words, attacks with strong horizontal hitboxes) also function defensively. Hopping into a horizontally-angled attack can create a barrier that will both air-to-air and hit standing or approaching opponents. This is a great tactic against an aggressive opponent since it can hit a running or hopping player. Take a look at what options Hwa Jai defends against in the below setup:

Hwa Jai's Jumping Blowback Attack has been timed late from a neutral hop so that it prevents Joe from walking or running forward and if Joe tries his usual short hop Jumping Heavy Kick to get in, Hwa Jai's attack would cleanly air-to-air it with its stronger horizontal hitbox.
This option limits the other player's methods of approaching, but as with any tactic these setups have risks of their own.

• Activating a jumping attack earlier in a jump arc so that it may air-to-air better, or hopping forward with a horizontal attack leaves the aerial player vulnerable to a tripguard punish from below. A player that performs patiently on the ground can wait and punish these setups by crouching and reacting with a low attack.
• Additionally, a player could challenge this technique with a quick or powerful horizontal air-to-air. Hwa Jai's Jumping Blowback Attack has a big hitbox, but the Joe player in our demonstration could stuff the attack before before it becomes active with a jumping attack of his own. Just be aware that hopping with a preemptive horizontal attack can leave one vulnerable to a tripguard punish just as mentioned above.
• Although the running player may can get hit by the jumping attack from this setup, the hopping player needs some space to work with in so that their jumping attack comes out at the descent of their hop. A close grounded player can simply run and get underneath the hopping player and anti-air with an upward attack before the jumping attack is low enough to hit. Spacial awareness is key for both the grounded and airborne player.
• Reacting to a hop is difficult, but the grounded player has the option of anti-airing with a special poke that commands the short hop space. For instance, a projectile may automatically anti-air the hopping player.
  
  

Vertical Attacks

The last aerial angle to cover is the deep vertical space. These are attacks that hit deeply downward but lack that extra horizontal range; this leaves the aerial player more vulnerable to anti-air attacks while moving into position to connect against the player. One of the best ways to minimize the vulnerability when using one of these attacks is to simply save them for hops since they're the hardest aerial approaches to react to.

• Attacks with vertical angles are usually the primary air-to-ground choice for up-close hop pressure. Their additional downward range allows them to connect earlier on in a hop arc if need be, which complexifies the player's offensive options.
• Some vertical attacks can also cross up such as Kim's Jumping and Kyo's Jumping .
• Some command normals that lower a character's vulnerable hitbox (King's df. slide) can only be jumped on with a direct, downward attack.
  
  

Projectiles

The projectile has proven itself time and again to be a dominating weapon in 2D fighters. This is because projectiles act as pokes that travel fully across the screen while lacking a vulnerable hitbox. From longer distances its easy to observe how projectiles heavily limit the opponent's moveable space but a lesser obvious strength is found when using fireballs as extended pokes just outside of the opponent's maximum normal range.

There are two main projectile classes in KOF which vary in which ways they limit the opponent's aerial approaches. The opponent may have numerous methods to get around projectiles in KOF XIII, though most are baitable and then punishable when read, and so the key is to become as gutsy or minimalist as necessary against the opponent, and then further pressing the advantage off a blocked projectile, knockdown, or anti-air.

Non-grounded Projectiles

This is the more common projectile type that mimics standard Hadouken's properties. Takuma's Ko'ouken ( + ) is one just fireball, so let's discuss how these are unique.

Non-grounded projectiles travel higher in the air than their grounded siblings. Look at how these projectile dominate the Low Hop Space discussed above; Takuma's Ko'ouken is big enough to hit crouching opponents and its additional height allows it to anti-air and otherwise reign over this region across the entire screen! This encourages the opponent to commit to a full jump to quickly get in, as reacting to an oncoming projectile's speed and correctly timing a hop is difficult.

Most projectiles can be baited and punished with a jump or super jump as with any fighting game. After using a few projectiles and discouraging the opponent from hopping, the zoning player should keen up and look out for a new method of approach from the opponent. Many of these desperate attempts to get in are punishable--but only when taking a break from flinging fire. Full jumps can be reacted to and anti-aired from the ground or be met with an appropriate horizontal or upward air-to-air. More directly damaging anti-airs include invulnerable uppercuts, EX specials, and DMs, all of which are more likely to connect against a jump vs a hop.


One weakness of non-grounded projectiles is that certain characters can shrink their hitboxes to maneuver underneath an oncoming volley. Duo Lon's Hiden: Genmubakkoshikon ( + ) DM is a great anti-air and projectile punish as his vulnerable hitbox is significantly lowered while he moves forward, despite the fact he isn't even invulnerable when performing this. Always be aware of the opponent's options that allow them to get underneath these projectiles. Recognizing this flaw moves us on to grounded projectiles:

Grounded Projectiles

The lesser common projectile type, but a more unique staple to SNK fighters. We'll look at Kyo's 108 Shiki: Yamibarai ( + ) as our example:

Grounded projectiles travel fullscreen and may initially appear identical in utility to any other fireball. But compare the areas controlled by each projectile archetype and the difference becomes clear: grounded projectiles don't control the Low Hop Space. Either projectile can work wonders against a grounded enemy, but their similarities end at that. So what does this mean?

The simplest method to deal with a grounded projectile would then be to hop over it. Grounded projectiles carry a much lighter threat of anti-airing a short hop attempt, and recall that a full jump unnecessarily increases one's vulnerability. So if suspended projectiles encourage jumping, their bottom-bound brothers promote hopping. The next step in countering the adversary is to bait a hop in order to intercept the opponent with a grounded anti-air (one that reaches into the hop space) or a horizontal air-to-air (which gives varying frame advantage, spacing setups, and possibly set up for cross-unders).

Another built-in bonus is that the enemy can't manipulate their hitbox to shrink underneath these projectiles, so the opponent will need to hop, block, roll, or use a different method to approach attacking player.

Joe's Hurricane Upper ( + ) is unique in that its hitbox stretches from the bottom of the ground up into the low hop space. He has the benefits of both types in one.

Joe players must still take caution to avoid having his projectile hopped or jumped, rolled through, or countered with reflectors or anti-projectile attacks such as Daimon's Jiraishin ( + ) fullscreen pound. In fact, many EX specials and DMs can be used to move through projectiles regardless of their hitbox. Fortunately for the projectile player most of these invulnerable moves are unsafe on block and deplete the opponent's meter, and so baiting very is important. Never be predictable.

Projectile Strength

Ignoring EX moves and specific one-speed projectiles like K's Second Shot ( + then + ), most characters have two normal fireball strengths. Six button games like Street Fighter offer three projectile strengths (usually based on finishing an input with , or ) with slightly varying speeds and recovery, though in KOF the four button layout restricts the player to two options; either the or strength specials. However, because there are less choices in KOF, projectile versions behave much more independently of each other.

Weak Projectiles

The slower projectiles have two large advantages: they stay on the active playing field for a longer duration and their recovery speed is much greater. This is important as these factors combined will often allow the projectile player to send out a fireball and then trail behind it. In Street Fighter IV, Rose is barely able to trail behind her weak Soul Spark when the opponent is from mid to far-screen, though by spending meter for an FADC-canceled projectile just about any character can walk behind their canceled fireball and force the opponent to block and deal with close-ranged mixups. Guile is historically known for always having this same option from his weak Sonic Boom, though his close offensive options are limited.

In KOF, most light projectiles recover around when the attack travels halfway across the screen. When this happens, a projectile character can simultaneously control the ground while being free to move on their own, much like when FADCing a projectile. Unlike in Street Fighter, KOF enables more mobility options as the player can run or hop or jump to quickly move forward to get in on the opponent. If the opponent decides to block a weak projectile, the other player can capitalize on their blockstun and move forward to launch an offense. Joe's weak Hurricane Upper allows him to recover with enough time to run forward, confirm if the opponent tries to jump or roll through, and punish escape attempts on reaction; and if the opponent blocks then Joe gets a free mixup from the blockstun.

This technique also works on the defensive by using the time bought from a blocked projectile to backdash or bait a projectile-invulnerable counterattack. Athena and Kyo ould follow a projectile by using their aerial command normals off their backdashes to fly backwards at a faster speed than the opponent can match while running. This can be a very frustrating tactic to get in against, and so the zoning player can easily capitalize off the opponent's frustration by baiting an unsafe action from the opponent.

The effectiveness of these followups varies based on how fast a character recovers from their projectile animation, and how slow their projectile travels across the screen. Duo Lon's Juon Shikon ( + ) travels very slowly and recovers quickly which guarantees him two attack fronts once it comes out (though his projectile has a short range and is easily hopped over). Lesser extreme projectiles will recover more slowly, though all it takes is a solid distance between the opponent or their willingness to block in order to open them up from across the screen.

Strong Projectiles

With all the advantages of slower projectiles, the appeal of their faster variety may initially seem diminished. However, slower projectiles are much easier to react to and counter with a hop, jump, or any efficient anti-fireball attack, and repeatedly using the same speed fireball makes one predictable. Enter the strong projectile. Their accelerated speed can blow up the opponent's reactions and timing, such as when looking to use a projectile counter or when timing a jump when predicting more sloth speed. And although it may seem obvious, they get across the screen faster and form tighter blockstrings and leave a tighter window for the opponent to attempt a jump or other escape method.

Their faster speed comes with the downside of controlling the active play area for a shorter amount of time. Also, since the opponent will block or avoid the faster projectile much earlier, this means the recovery on these fast projectiles is much worse. Because of this, nearly all fast projectiles can be safely rolled, efficiently shortening the distance between the two players. After the opponent rolls a fast projectile, the threat of hops, running, and long-reaching normals applies a heavy pressure that only increases the risk of further projectile usage.

In short, the opponent knows just how good/annoying a slow projectile can be and will try to avoid blocking or being hit by one. In fact they're so much safer, who'd even expect a fast one since they have such poor recovery and can so easily sacrifice spacial advantage? And with that thought in mind, the player walks forward in preparation to counter the next projectile... and end up walking straight into the fast version before reacting with their super. And that's what we call yomi layer 3.

Avoiding Projectiles

SNK fighters have experimented with many systems that gave players more ways to maneuver around attacks. This dates back to plane shifting from Fatal Fury which evolved into the sidestep dodge found in the early KOF games (which was finally tweaked and greatly enhanced in KOF98 Ultimate Match) which was then abandoned for the rolling system introduced in KOF96 that persists up to the present.

Players have plenty of options against projectiles in KOF XIII, but each option has its own risks and rewards. Here we'll cover not just how to avoid projectiles, but rather offer insight into when each option becomes a safer method of getting through a fireball.

Blocking

Blocking provides the most basic and safest answer to projectiles. Players can run the old strategy of blocking a projectile and then running or walking forward to safely advance to a more favorable positioning and act from a more advantageous spacing. Blocking also demonstrates that one is willing to play a grounded game which can lure the opponent into a sense of security or encourage them to jump or hop.

One downside to blocking is that the opponent gains meter while inflicting chip damage as in most fighting games, but as discussed above characters can gain a large initiative by following a weak projectile. The opponent may be able to backdash to reset to a fullscreen spacing or take advantage of the defending player's blockstun to run forward and go on the offensive, so blocking can have threatening repercussions in some instances.

Rolling

Rolling through projectiles can be a secure or suicidal choice depending on both players' spacing and the recovery found on a projectile. We'll start with the more common method of rolling among newer players, and that is rolling when close to the opponent.
Notice that Ralf safely avoided Kyo's projectile and now he's able to recover and punish Kyo's whiff with a combo. Rolling in this closer range can yield a high reward but from this short of a range it becomes more of a guess if the opponent uses a laggy special than a safe option that's done on reaction. This method of 'running and rolling' is a large guess with high risk and high rewards; had Kyo not used his projectile and Ralf still gambled with his roll, Kyo would be able to throw or combo Ralf for free damage. In essence, rolling into combo range is an even riskier form of jumping in. As such, veteran players avoid rolling in these situations where so much is at stake.

Rolling becomes a safer option from further ranges where players can properly react and recognize projectile speeds:
Raiden reacted to Mai's heavy Kachousen and rolled forward to gain ground. In general, faster projectiles can safely be rolled and the attacking player wont be able to recover in time to punish the rolling player's recovery. However, should Mai have used her weaker fan toss and recovered faster then she could potentially have ran forward and reacted to Raiden's roll for a punish. If Mai had used her weak Kachousen and backdashed or remained in place then Raiden might get away with rolling a slow projectile.

After safely rolling a projectile both players are at a mid range where further projectile usage becomes more risky, but in turn further rolling becomes jeopardous as in the above scenario.

Jumping and Hopping

A majority of the projectiles in the game can be hopped over, though hopping non-grounded projectiles requires stricter timing than when jumping over them. Any aerial option is going to leave one vulnerable to anti-airs from a bad read or mistimed attempt, though one may be able to jump-in at the opponent and land a full combo as in any fighting game. Jumps and Super Jumps have more leeway in getting over projectiles, though their added height and hang time increases the ease of the opponent to anti-air, and usually with a stronger option like a DM. Hops and Hyper Hops can move the player forward while taking no damage though their horizontal reach isn't as long as a jump, and the opponent can still anti-air these approaches when up close.
Just like with rolling, jumping (or hopping) projectiles becomes a safer option from farther ranges where one can react to a projectile, move above it, and land before the opponent can get a true punish. Terry safely closed the distance against King, though his jump didn't take him far enough for him to land a jump-in. Sacrificing that extra range and the possibility of damage often leads to safer approaches for entering a closer range against the opponent. Even if King had waited at that distance, Terry would land outside of the range of her primary anti-air options, and so the King player would have had to preemptively move forward or delay her projectile to anti-air Terry.

As you might now expect, it's harder to safely jump over or jump-in against the weaker projectile that have better recovery. Neutral jumping over projectiles is yet another option to avoid projectiles in the air, though the opponent may be able to trail behind a slower projectile and gain an advantage against the neutral jumping player, or read a neutral jump attempt and run forward for an anti-air or jump forward with an air-to-air.

Neutralizing

A hefty portion of the cast can challenge projectiles with moves of their own that can safely nullify or reflect oncoming projectiles.

• An obvious way to cancel projectiles is for the player to use their projectile so that both clash and dissipate. One character will generally come out the winner in a fireball war due to having a faster projectile, but the losing player may have an EX projectile that will power through normal fireballs and cause a knockdown.
• A select few character have projectile reflectors that hurl attacks back at the opponent. A reflected projectile wont necessarily always punish the opponent, but it does buy more time to change positioning. Care must be taken to recognize if the opponent used their slow or their fast speed projectile in order to time the input properly. Guessing incorrectly or timing a reflector wrong will cause one to take a hit from the attack.
• Some commands are made for hitting players out of projectile from far distances. Daimon's ground pound will punish fireballs since the opponent must stand while performing a a special, and Duo Lon has his + command normal that targets the opponent's current location.
• Other specials have projectile hitboxes that can absorb fireballs when timed correctly. Elizabeth's Étincelle pictured below is great because it controls the Short Hop Space, builds meter, and stops projectiles.

Sliding

Keep an eye out for moves that shrink one's vulnerable hitbox; they can be used to avoid entering blockstun (through which frame and positional advantage is given to the other player) and can punish non-grounded projectiles within their active ranges. In previous KOF versions some characters were even able to run, sweep, or use their Crouching Light Kick to shrink underneath these projectiles.

King's command slide can move her forward while avoiding these loftier attacks. From a far to mid range, a King player can safely react and get in against most projectiles, and once both players meet at a close range inside her sliding distance a slide kick functions as a great poke that can automatically shut down closer fireball attempts.

Invulnerability

Most of the moves with projectile invulnerability are going to take meter to use, but with the addition of EX specials and DMs characters have more options to beat projectiles than in previous KOF titles.
Shen's Tatsu! Gekiken ( + ) has a lot of invuln coupled with a decent startup speed and so he can react to projectiles with this DM. Most invuln counters work on reaction but are limited by their effective range. Shen's DM moves him far across the screen, but his hitbox only stays active enough to give his DM an effective range of about 1/3 of the screen. Other moves may have a shorter window of invulnerability, or different ranges; a wise opponent will avoid using projectiles inside these dangerous ranges or step inside them to bait an attack, so both players should be analyzing their optimal ranges.

Offense

Offense in KOF is faster than in other traditional fighters due to the inclusion of hops which allow jumping attacks to cover more angles and be more relevant due to the faster nature of hops, and also due to the fast walk and run speeds and quick close normals. This is not to say the flow of a match cannot become defensive or high cautious, but characters are able to move at a quicker rate which diversifies the range of pressure applicable.

The other side of the coin is that blocking against most standard hop pressure becomes easy to do once used to KOF, and command grab mixups can be punished with Alternate Guarding. The major weakness of blocking is that players can suffer a Guard Crush from blocking for too long. Once a player scores a knockdown, the resulting mixups become much more difficult to defend against than most neutral offensive mixups.

Okizeme

Players have a multitude of options to storm the opponent after a knockdown. Safe jumps may be familiar to fighting game players, but ambiguous rolls and KOF's grappler okizeme are offensive techniques more unique to the series.

Any type of knockdown severely limits the amount of actions available to the recovering player, while the standing player is free to move and manipulate the opponent into a dirty setup. It's crucial to keep pressure on the opponent after a knockdown in some form, even in situations where one isn't directly mixing up the grounded opponent with an attack as waiting or delaying keeps the momentum in the standing player's favor.

Hard Knockdown

Soft Knockdown

Cross Ups

Back-turned Knockdown

Safe Jumps

Delayed Jumping Blowback Attacks

Instant Overheads